Ke Doc Hanh Motphim ((better))

We are also entering an era of the “trauma-informed” lone wolf. The Night House (2021) and Saint Maud (2019) explore female lone wolves whose isolation is born of grief or religious ecstasy. These films ask: Is a kẻ độc hành born evil, or is solitude a wound that festers into violence? The answer is likely both, and future cinema will blur that line until it disappears.