Afro-Cuban rhythms are built on polyrhythm—the simultaneous use of two or more conflicting rhythms. For a drumset player, mastering this expands your rhythmic vocabulary exponentially. It breaks the habit of rigid, four-on-the-floor thinking and introduces fluidity, dynamics, and swing in a completely different context.
This is the quintessential Latin jazz groove. The right hand plays the pattern on the ride cymbal or bell, the left hand mimics the conga slaps on the snare rim, and the bass drum plays the tumbao . afro-cuban rhythms for drumset pdf
Whether you are studying Frank Malabe, Ignacio Berroa, or John Riley, the following styles are the pillars you will find in almost every . four-on-the-floor thinking and introduces fluidity