Monsters Vs. Aliens _best_ Review

Director Conrad Vernon and co-director Rob Letterman pack the frame with visual Easter eggs. From the black-and-white "scientific mumbo-jumbo" sequences to the retro-futuristic design of the military base, the film feels like a Saturday matinee double feature brought to life with modern 3D animation.

However, DreamWorks realized that to resonate with modern audiences, they needed to subvert the tropes. In the classic films, the military fights the monster; the monster is the villain. In Monsters vs. Aliens , the government is the jailer, and the monsters are the reluctant heroes. monsters vs. aliens

Monsters vs. Aliens was a pioneer. It was the first animated film created specifically for 3D from the ground up (as opposed to being converted after the fact). DreamWorks CEO Jeffrey Katzenberg bet big on the format, and the film’s deep focus shots and action sequences (particularly the Golden Gate Bridge battle) showcased the technology brilliantly. Director Conrad Vernon and co-director Rob Letterman pack

), who is hit by a radioactive meteorite on her wedding day, causing her to grow to a height of nearly In the classic films, the military fights the

Instead of a honeymoon, Susan finds herself growing to a height of 49 feet 11 inches. The government, led by the gung-ho General W.R. Monger (Kiefer Sutherland), swoops in. Declared a "monster," Susan is stripped of her identity, renamed "Ginormica," and locked away in a top-secret facility beneath a government building.

The franchise succeeded because it understood its audience: kids who love destruction and adults who love 1950s nostalgia. It is a rare film that works as both a gateway to classic sci-fi and a parody of it.